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Buddhism, Buddhism and Derrida, Buddhist and postmodernism, Buddhist ethics, Chan/Son, East Asia, Gender, Huayan/Hwaom, Korea, Modern East Asian Buddhism, Women in Korean Buddhism
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Art installations, Buddhism in Asia, Buddhist aesthetics, Buddhist icons, Buddhist visual cultures, China, Japan, Japanese art and architectural history, Korea, Lightups, Museums, Preservation, Religious art, Religious exchange, Religious visual cultures of Japan, Ritual and representation, Sculpture, Seventh to Ninth century, Wood, Yakushiji